Poetry at Sangam

SangamHouse

 










THE AESTHETICS OF FEAR by John Bradley

1.
I sit on the roof, watching
            a sheriff interrogate
a pulled-over driver.  He reaches
            back for his ticket book,
the driver lifts her eyebrows,
            her mouth moving
a sublingual lozenge.
            The ticket book closes,
the sheriff starts
            to turn away.  Something
holds him fast.
 
A red soap container
            flies out the driver’s
window.  It shoots
            up, far up, then stops,
surveying all below. 
            A dull voice from
behind me drones, Sir, do you
            have a license to operate
an unmarred aerial vehicle
            in an urban area?

I slip off the roof, let the wind
            carry me where it must.

 
2.
Mamana Bibi, what is it
            you do?
 I ask
the old lady in the ragged field.
            Weeding my vegetables,
she claims.  The Hellfire missile
            ignites this much too unlikely
alibi.  Her body burns.  Now
            her grandson appears.
Kaleem, why do you run so?
            I ask.  He keeps running.
The missile breaks his left leg, plants
            deep in the meat a gash.

 No Taliban, no weapons, no
            hideout could be found,
they claim, in the shifting fields
            near what they find
of Mamana Bibi.  Please tell her
            three granddaughters
who watched
            the interrogation
of their grandmother, I mean
            no harm.  Tell them
Breathe in far, breathe out fear.